Friday, 20 July 2012

A colorful obsession!


Macarons can inspire an obsession that cannot easily be shaken. Obviously I am hooked! Parisian macarons… I love these airy meringue sandwiches with a smooth domed top and bottom and a light filling, mildly moist, that easily melt in the mouth. They’re crunchy on the outside with chewiness on the inside. Cute as can be, they capture the elegance of Paris.
They’re stylish, they’re fun – a combination of textures and flavors that has no equal – the selection is mind blowing! A gazilion of dazzling colors and flavors of perfection! They’re ethereal, indulgent and highly addictive.
I adore Parisian macarons because they explode with flavor (jasmine, vanilla, cassis, lemon, chocolate, green tea…). Each and every one has different characteristics, sweet and floral, bittersweet, salty, sweet and sour.
But what I love the most are the colors. The color palette is endless – all colors you could wish for, bright, pastel, delicate colors, from passionate red to tender pink, from quiet beige to cheery yellow, confident blue, royal purple, graceful lavender…. Each colorful little gem explodes with flavor.
My absolute favorite is lavender & mint – love the taste, adore the color!!!

Monday, 16 July 2012

The Aegean sculpture


About a month ago, I was for a few days in Mykonos, where one night, while walking around the Chora, I saw under the weak moonlight the most beautiful Aegean sculpture, Panagia Paraportiani! The little white church looked like something much more than a religious building, so I called it a sculpture, a work of art. Next morning, I went back to see the sculpture bathing in the morning sunlight.
The little church is adapted with wisdom to the residents’ daily needs and is included in a spectacular way in the simple beauty of the Cycladic landscape. The wisdom of the economy of materials limited in minimal internal space, ingenuity that was necessary for surviving under hard conditions, the exploitation of favorable orientation for the protection from the Aegean winds and the cold, match up architecture with its natural possessing landscape and thus make it part of nature itself.
The unique flowing curves of the whitewashed cubes, their smooth and asymmetrical shapes, this cleanliness of forms, under the blinding Aegean light, in dimensions near the scale of a person compose a fascinating movie set. Their smooth-edged corners give out a sense of space and freedom, as the air is delicately carving them year after year.
Unique and charming, every sculpture-church in the Cyclades seems to be designed by the hand of the same artist – works of art bound together in perfect harmony, with stunning simplicity but with a daring style!

Friday, 13 July 2012

Under the stars


One of my favorite summer evening activities is going to an open air cinema! An evening at the outdoor cinema isn’t merely about what’s showing on the screen. For us Greeks, going to the outdoor movies in summer is something of a cultural tradition – it’s a typical Greek phenomenon and it’s an integral part of our identity.
We, Greeks, really adore to spend the hot summer evenings in open air cinemas. We love the huge screen and the dark sky above.  We love to see occasionally a falling star and make a wish.
Some say that open air cinemas are a direct extension of the tradition of ancient Greek drama which was always staged in open air theaters…
Ritual elements like the floral decor of bougainvillea and jasmine, the gravel underfoot, the director's chairs, and the cold beer and potato chips are inextricably linked to the experience of the outdoor cinema and, besides that, there’s no denying that a moonlit summer night with a star-filled sky forming a second screen in the sky, is definitely an enchanting experience loved by everyone.
Open air cinemas are the trademark of Greek summer and we are all waiting for them to open with eagerness. The beginning of summer projections is the signal for us to leave our houses and fill the terraces and backyards enjoying a cool drink and a snack.
Nothing compares to a night out with friends to an open air cinema and under the stars, cooled by the summer breeze.
The plastic or director’s chairs, the little table in the middle, a refreshing drink, classic popcorns or nachos, and enjoy!
Summertime in Greece wouldn't be the same without the open air cinemas and there’s no better way to kick off a summer evening!
And for us, cigarette-loving Greeks, it's fine to smoke away during the movie…

Wednesday, 11 July 2012

To smile like a god!

To smile: To express amusement, pleasure, moderate joy, or love and kindness, by the features of the face; to laugh silently.
A mysterious smile: the archaic smile! The significance of this mysterious, thin lipped smile is not known. It is a smile which suggested a feeling of happiness, perhaps echoing the prosperity and relative peace of the time. Artists felt it represented that they were blessed by the gods in their actions.
The ancient Greek approach to life, where everything had a human measure and the passions of the gods did not differ from those of the mortals gave art a new dimension. For the first time in ancient Greek art the world of the gods is not different from that of the mortals, gods and mortals are presented in exactly the same way. Gods are approachable, almost friendly. The Greek ideal of beauty involved Gods looking like humans and humans looking like Gods!
The archaic smile could not have existed without this kind of ideological background.
The archaic smile, the main characteristic of the archaic art expresses the joy and exultation of man before the miracle of life.
The ancient Greek artist invented his own self and became the creator of god and man alike in a universe of perfect formal proportions, idealized aesthetic values and a newly found sense of freedom. This was a freedom from barbarism and tyranny and a transition towards self-determination. The sculptures of Greece, more than any other art form, are the pure expression of freedom, self-consciousness, and self-determination.
The journey of sculpture in ancient Greece begins with the kouroi (the majestic naked young men who represent eternal youth, beauty and power) and the korai (the clothed young maidens, obedient and immobile, representing feminine grace and humility). On their faces a mysterious smile bestowing a sense of abundant vivacity, both expressing the trust to the human power.
Archaic art is a silent witness to the extraordinary development western society was about to undertake. The Kouros and Kori statues stand before a cultural revolution, all muscles tense, like a spring about to burst with energy into an extraordinary wave of classical thought. They stand with meaningful smiles, as if they knew what was about to occur: the classical era and the Golden Age of Greek thought.
How far away are we from this approach?